Edward Albees play Whos Afraid of Virginia Woolf? is a drama exploring the anxieties of modern life. By personalizing aspects of the epic Albee has inverted many of its features to constrain satire. This internalization pits individuals a meetst severally other and themselves. M. H. Abramss exposition of epic, in his book A rubric of Literary Terms, is used comparatively to demonstrate how Albee achieves satire. Abramss first translation of epic is the closest to which Whos Afraid of Virginia Woolf? adhere- it is about a heinous subject. The seriousness of the play is developed through its language, which is not pick up or formal as in a traditionalistic epic, rather, it is crude and intoxicated. When Nick and Honey arrive at George and Marthas engender they are sober and speak formally. Any hesitation they create comes from the unusual situation they find themselves in. As they drink, Nick and Honeys linkup in the conversation becomes to a greater extent than fl uid and the remarks become more poignant. This, in turn, increases the intensity of the insults amongst George and Martha. For them prodding is a disaster of one-upmanship with words their alone weapon. As the play progresses the implications of this become progressively serious.
In an epic, Abrams explains that the fate of a tribe, a nation, or the human beings rush lies in the out come of the heros battle. The battle between George and Martha only affects their relationship and on this night spills into the lives of Nick and Honey. insobriety exaggerates their actions, so that the extremes of the situation are explored. This allows the reader to exp! erience feelings which whitethorn be outside their own experience. George and Martha continually try to gain the speeding hand in the relationship by contaminating each other. This degradation is an fact a type of self... If you loss to she-bop a full essay, order it on our website: BestEssayCheap.com
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